Zorn Palette
I’m experimenting with the Zorn palette, which is limited to cadmium red, yellow ochre, black, and white. It’s surprisingly versatile.
I’m experimenting with the Zorn palette, which is limited to cadmium red, yellow ochre, black, and white. It’s surprisingly versatile.
For this painting tried something new by priming the surface with black gesso. The others were done with an orange underpainting.
8/100. 6” x 6” gouache study of the old tool shed in our back yard. I used a limited palette of burnt sienna, titanium white, ultramarine blue, yellow ochre, and chromium oxide.
I’ve been spending a lot of time over the past few weeks trying to figure out a focus or goal for my art this year. I think I’ve settled on getting better at painting. To that end, I’m trying to complete 100 small paintings this year. These are the first few. They are 6” x 6” acrylic or gouache.
Back in Colorado.
9” x 12” painted in gouache on watercolor paper.
For Thanksgiving we were in my hometown of Grand Junction, Colorado. I got a few plein air painting in while there.
I painted this for my daughter’s 10th birthday. She’s really into NASA and space right now. It’s designed as a triptych.
For Inktober this year I followed my character Otto the Space Monkey on a few of his adventures. I’m planning on scanning and coloring a few of these, making them into covers.
Thanksgiving? Never heard of it.
I had the pleasure of attending a plein air landscape painting workshop with Mike Hernandez this past weekend in Langley, Washington on beautiful Whidbey Island. I learned so much, my head is still spinning.
This is a technique I’ve developed for adding gemstones to a painting.
I took a sheet of watercolor paper and painted a lot of different streaks on it. I don’t remember what kind of brush I used, but it was some kind of flat. I wanted a range of line styles, so I wet the paper in a few places to get more bleed. I also crisscrossed the lines in several places.
Now when I need a gem, I cut it from this sheet. Sometimes I will cut the shape out of a blank piece of paper that I can overlay as a stencil and see what the resulting gem will look like.
After cutting out the shape I glue it onto the painting using a thick acrylic gel medium.
I’ve used this technique a few times and really like the result.
I love the Oregon Coast. I painted this on our recent trip to Pacific City. 8” x 10” on watercolor paper.
Another cover mock-up. I don’t have any actual Space Monkey stories. I just have covers.
Mocking up a title header for a Space Monkey cover.
Finished my insect warrior for this month’s Character Design Challenge. He started out as a Space Monkey alien that I’ll probably reuse.
I made some scale replicas of the Moai statues from it’s a small world in Disneyland (one of my favorite attractions). I designed the papercraft template in Illustrator and printed it on card stock. As I assembled the pieces, I stuffed the inside with layers of shredded paper and wood glue. I textured the assembled models with acrylic modeling paste and then painted them with acrylics. I’m really happy with how they turned out.
We had the pleasure of taking an Alaska cruise earlier this month. Gouache 8” x 10” on watercolor paper.
I’ve been developing a character named Otto the Space Monkey. We’re going to check in on his adventures from time to time.
I save (hoard) plastic milk caps to use for little paint mixing cups. To keep them from drying out while I’m doing a painting I store them in a sealable container with a wet sponge inside. They’ll keep for a few weeks this way.